[{"data":1,"prerenderedAt":273},["ShallowReactive",2],{"history-timeline":3},[4,17,32,46,62,76,89,102,116,131,143,160,174,189,204,220,234,247,259],{"id":5,"when":6,"title":8,"text":11,"sources":14},"coverlet-1718",{"da":7,"en":7},"1718",{"da":9,"en":10},"Det ældste daterede patchwork","The oldest dated patchwork",{"da":12,"en":13},"Et tæppe af silke med årstallet 1718 og initialerne \"E.H\" i en blok i midten er det ældste daterede patchwork i Storbritannien. Det er syet over papir, og papirerne sidder der stadig; motiverne er mennesker, blomster, hjerter, katte, en løve og en enhjørning. Hvem E.H var, ved ingen. The Quilters' Guild købte det på auktion i 2000.","A silk coverlet with the year 1718 and the initials \"E.H\" in a block in the middle is the oldest dated patchwork in Britain. It is pieced over papers, and the papers are still in it; its motifs are people, flowers, hearts, cats, a lion and a unicorn. Who E.H was, nobody knows. The Quilters' Guild bought it at auction in 2000.",[15,16],"qg-1718","qg-1718-silk",{"id":18,"when":19,"title":22,"text":25,"sources":28},"medallions",{"da":20,"en":21},"omkring 1780–1840","about 1780–1840",{"da":23,"en":24},"Medallion- og rammequilts","Medallion and frame quilts",{"da":26,"en":27},"Den store quilt af tiden har en midte og rammer omkring. The Quilters' Guild kalder rammerne meget typiske for britisk patchwork, og Barbara Brackman daterer de amerikanske medallions til omkring 1780–1810. Victoria and Albert Museum har et tæppe mærket \"Sarah + Wyatt 1801\" med fire vindmøller i midten. Se [[quilt:medallion]].","The great quilt of the time has a centre with frames round it. The Quilters' Guild calls the frames very typical of British patchwork, and Barbara Brackman dates the American medallions to about 1780–1810. The Victoria and Albert Museum has a cover marked \"Sarah + Wyatt 1801\" with four windmills in the middle. See [[quilt:medallion]].",[29,30,31],"qg-heritage","brackman-more-medallions","vam-sarah-wyatt",{"id":33,"when":34,"title":36,"text":39,"sources":42},"hexagons",{"da":35,"en":35},"1796",{"da":37,"en":38},"Sekskanter over papir","Hexagons over papers",{"da":40,"en":41},"Anna Ruggles syr i 1796 den ældste daterede sekskant-quilt, man kender, og et tæppe \"The outside by Mrs Cockrell 1797\" har allerede rosetterne fra [[quilt:flower-garden]]. Teknikken er britisk; i Amerika trykker Eliza Leslie mønstret i 1831.","Anna Ruggles sews the oldest dated hexagon quilt known in 1796, and a cover \"The outside by Mrs Cockrell 1797\" already has the rosettes of [[quilt:flower-garden]]. The technique is British; in America Eliza Leslie prints the pattern in 1831.",[43,44,45],"iqm-anna-ruggles","vam-mrs-cockrell","brackman-hexagon-info",{"id":47,"when":48,"title":51,"text":54,"sources":57},"blocks",{"da":49,"en":50},"1820'erne–1840'erne","1820s–1840s",{"da":52,"en":53},"Blokquilten","The block quilt",{"da":55,"en":56},"I Amerika går man fra medallion til blokke. Museet i Lincoln skriver, at skiftet kom i 1820'erne og 30'erne, og at de tidligste blokquilts ofte har syede blokke på skift med ensfarvede, sat på spidsen. I Brackmans optælling er fire ud af fem daterede quilts fra 1840'erne syet af blokke. Blandt de første er [[orange-peel]] og [[sawtooth-star]].","In America quilts move from medallion to blocks. The museum in Lincoln writes that the change came in the 1820s and 30s, and that the earliest block quilts often have pieced blocks alternating with plain ones, set on point. In Brackman's count four in five dated quilts of the 1840s are made of blocks. Among the first are [[orange-peel]] and [[sawtooth-star]].",[58,59,30,60,61],"iqm-block-by-block","iqm-evolving-classics","brackman-orange-peel-early","brackman-early-sawtooth",{"id":63,"when":64,"title":66,"text":69,"sources":72},"albums",{"da":65,"en":65},"1842–1858",{"da":67,"en":68},"Albumquilterne","The album quilts",{"da":70,"en":71},"Albumquilter, hvor hver blok er syet og ofte signeret af sin giver, begynder i Delaware-dalen omkring 1842, og omkring 400 kendes fra egnen ved Baltimore fra 1842–1858. Sashing mellem blokkene er kendt fra et maleri fra 1813 og bliver almindelig fra 1830'erne.","Album quilts, each block sewn and often signed by its giver, begin in the Delaware Valley around 1842, and about 400 are known from the country round Baltimore from 1842–1858. Sashing between the blocks is known from a painting of 1813 and becomes common from the 1830s.",[73,74,75,58],"brackman-mariners-compass-style","iqm-baltimore-album","brackman-garden-maze",{"id":77,"when":78,"title":80,"text":83,"sources":86},"sewing-machine",{"da":79,"en":79},"1846–1859",{"da":81,"en":82},"Symaskinen","The sewing machine",{"da":84,"en":85},"Elias Howe får patent på sin symaskine i 1846, og Singers maskine til hjemmet kommer i 1859. Nogle quilts fra 1800-tallet er quiltet på maskine, og nogle maskiner kom med en quilteindretning, men de fleste quiltede i hånden helt op i 1900-tallet. Se [[quilting:machine]].","Elias Howe patents his sewing machine in 1846, and Singer's machine for the home comes in 1859. Some quilts of the 1800s are machine quilted, and some machines came with a quilting attachment, but most quilted by hand far into the 1900s. See [[quilting:machine]].",[87,88],"iqm-sewing-machine","iqm-presidents-wreath",{"id":90,"when":91,"title":93,"text":95,"sources":98},"log-cabin",{"da":92,"en":92},"1863",{"da":94,"en":94},"Log Cabin",{"da":96,"en":97},"Log cabin-quilts nævnes på Ohios statsudstilling i 1863, og blokken bliver en af de mest elskede, meget populær 1870–1910. Bjælkehytten var Abraham Lincolns billede i valgkampen 1860, men Barbara Brackman ser navnet som et sammenfald. Se [[log-cabin]] og opsætningerne [[quilt:barn-raising]] og [[quilt:straight-furrows]].","Log cabin quilts are named at the Ohio state fair in 1863, and the block becomes one of the best loved, very popular 1870–1910. The log cabin was Abraham Lincoln's image in the 1860 campaign, but Barbara Brackman sees the name as a coincidence. See [[log-cabin]] and the settings [[quilt:barn-raising]] and [[quilt:straight-furrows]].",[99,100,101],"brackman-log-cabin-name","brackman-log-cabin-civil-war","iqm-modern-age",{"id":103,"when":104,"title":107,"text":109,"sources":112},"crazy",{"da":105,"en":106},"1880'erne","1880s",{"da":108,"en":108},"Crazy quilts",{"da":110,"en":111},"Crazy quilten af uregelmæssige stykker silke med broderier over alle sømme dukker op i USA og Storbritannien i 1880'erne. Bladene trykker vejledninger fra 1882, og i 1887 kalder Godey's Lady's Book det det mest barnlige arbejde med nålen. Historikere forbinder moden med den japanske pavillon på verdensudstillingen i Philadelphia i 1876, og Patricia Cox Crews peger på, at silke var blevet billig. Hvem der syede den første, ved ingen.","The crazy quilt of irregular silk pieces with embroidery over every seam appears in the USA and Britain in the 1880s. Magazines print directions from 1882, and in 1887 Godey's Lady's Book calls it the most childish work done with the needle. Historians link the craze to the Japanese pavilion at the Philadelphia exhibition of 1876, and Patricia Cox Crews points out that silk had become cheap. Who sewed the first one, nobody knows.",[113,114,115],"iqm-crazy-origins","crews-fueled-by-silk","kent-crazy-quilts",{"id":117,"when":118,"title":120,"text":123,"sources":126},"ladies-art",{"da":119,"en":119},"1889–1898",{"da":121,"en":122},"Mønstre med posten","Patterns by mail",{"da":124,"en":125},"Ladies' Art Company grundlægges i St. Louis i 1889 af Henry og Emma Brockstedt og sælger quiltmønstre med posten. Udgaven fra 1898 har 420 mønstre, og Cuesta Benberry kalder kataloget den første store samling af quiltmønstre på tryk. Her står navne som [[shoo-fly]], [[orange-peel]] og Evening Star, vores [[sawtooth-star]].","The Ladies' Art Company is founded in St. Louis in 1889 by Henry and Emma Brockstedt and sells quilt patterns by mail. The 1898 edition has 420 patterns, and Cuesta Benberry calls the catalogue the first large collection of quilt patterns in print. Here are names like [[shoo-fly]], [[orange-peel]] and Evening Star, our [[sawtooth-star]].",[127,128,129,130],"benberry-lac","iqm-ladies-art","brackman-brockstedt","lac-1898",{"id":132,"when":133,"title":135,"text":138,"sources":141},"webster",{"da":134,"en":134},"1915",{"da":136,"en":137},"Marie Websters bog","Marie Webster's book",{"da":139,"en":140},"Marie Webster udgiver Quilts: Their Story and How to Make Them med en lang liste over quiltnavne. Listen er en af de bedste kilder til, hvornår et navn fandtes, og i bogen er der et billede af en blå og hvid [[jacobs-ladder]].","Marie Webster publishes Quilts: Their Story and How to Make Them with a long list of quilt names. The list is one of the best sources for when a name existed, and the book has a picture of a blue and white [[jacobs-ladder]].",[142],"webster-1915",{"id":144,"when":145,"title":147,"text":150,"sources":153},"newspapers",{"da":146,"en":146},"1928–1961",{"da":148,"en":149},"Avisernes mønstre","The newspapers' patterns",{"da":151,"en":152},"Kansas City Star trykker over 1.000 quiltmønstre fra 1928 til 1961, de første tre år tegnet af Ruby Short McKim, der udgiver One Hundred and One Patchwork Patterns i 1931. Fra 1933 skriver Loretta Leitner Rising som \"Nancy Cabot\" i Chicago Tribune. Under depressionen er det tiden for [[dresden-plate]] og [[quilt:flower-garden]].","The Kansas City Star prints over 1,000 quilt patterns from 1928 to 1961, the first three years drawn by Ruby Short McKim, who publishes One Hundred and One Patchwork Patterns in 1931. From 1933 Loretta Leitner Rising writes as \"Nancy Cabot\" in the Chicago Tribune. In the Depression it is the time of [[dresden-plate]] and [[quilt:flower-garden]].",[154,155,156,157,158,159],"brackman-kcs-online","mckim-biography","henryford-mckim","iqm-publishing","brackman-nancy-cabot","iqm-frugal-fashion",{"id":161,"when":162,"title":164,"text":167,"sources":170},"sears",{"da":163,"en":163},"1933",{"da":165,"en":166},"Sears-konkurrencen","The Sears contest",{"da":168,"en":169},"Postordrefirmaet Sears udskriver en quiltkonkurrence til verdensudstillingen i Chicago med 7.500 dollars i præmier og får omkring 25.000 quilts. Vinderen, en stjerne indsendt af Margaret Rogers Caden fra Lexington, blev givet til Eleanor Roosevelt og er i dag forsvundet. Den var efter alt at dømme ikke syet af Caden selv; i Lexington fortæller man, at Mattie Clark Black syede toppen.","The mail-order firm Sears holds a quilt contest for the Chicago World's Fair with $7,500 in prizes and receives about 25,000 quilts. The winner, a star entered by Margaret Rogers Caden of Lexington, was given to Eleanor Roosevelt and is lost today. By all accounts Caden did not sew it herself; in Lexington it is told that Mattie Clark Black sewed the top.",[171,172,173],"iqm-sears-contest","brackman-chicago-1933","waldvogel-sears",{"id":175,"when":176,"title":178,"text":181,"sources":184},"whitney",{"da":177,"en":177},"1971",{"da":179,"en":180},"Quilts som kunst","Quilts as art",{"da":182,"en":183},"Udstillingen \"Abstract Design in American Quilts\" på Whitney Museum i New York viser 61 gamle quilts hængt som malerier, udvalgt af Jonathan Holstein og Gail van der Hoof. New York Times kalder den \"en betagende åbenbaring\", og den rejser siden til Europa og Japan. Blandt quiltene er en [[quilt:tumbling-blocks]].","The exhibition \"Abstract Design in American Quilts\" at the Whitney Museum in New York shows 61 old quilts hung like paintings, chosen by Jonathan Holstein and Gail van der Hoof. The New York Times calls it \"a stunning revelation\", and it later travels to Europe and Japan. Among the quilts is a [[quilt:tumbling-blocks]].",[185,186,187,188],"iqm-whitney-1971","iqm-adaq50","holstein-abstract-design","cooper-hewitt-tumbling-blocks",{"id":190,"when":191,"title":194,"text":197,"sources":200},"revival",{"da":192,"en":193},"1970'erne","1970s",{"da":195,"en":196},"Genopblomstringen","The revival",{"da":198,"en":199},"Quilting blomstrer op igen med nostalgien op til USA's 200-årsjubilæum i 1976 og kvindebevægelsens interesse for de gamle quilts. Bladet Life skriver om trenden i 1972, og en stor konkurrence til jubilæet får 9.954 quilts; Jinny Beyers [[quilt:medallion|medallion]] vinder. I 1980'erne er der vokset en hel industri op omkring quilterne.","Quilting flourishes again with the nostalgia before the USA's bicentennial in 1976 and the women's movement's interest in old quilts. Life magazine covers the trend in 1972, and a great bicentennial contest receives 9,954 quilts; Jinny Beyer's [[quilt:medallion|medallion]] wins. By the 1980s a whole industry has grown up round quilters.",[201,202,203],"iqm-craze-for-quilts","iqm-bicentennial","brackman-jinny-beyer",{"id":205,"when":206,"title":208,"text":211,"sources":214},"rotary",{"da":207,"en":207},"1979",{"da":209,"en":210},"Skæreskiven","The rotary cutter",{"da":212,"en":213},"Yoshio Okada, der grundlagde OLFA, laver verdens første skæreskive i 1979, først til dem der syede tøj, men quilterne tager den til sig. Med lineal og skæreskive skæres strimler hurtigt, og Barbara Johannah har allerede skrevet om strimmelsyning i Quick Quilting (1976). Det gør quilts som [[rail-fence]] og [[quilt:trip-around-the-world]] til weekendprojekter. Se også [[quilting:curves]].","Yoshio Okada, who founded OLFA, makes the world's first rotary cutter in 1979, at first for dressmakers, but quilters take it up. With a ruler and a rotary cutter strips are cut fast, and Barbara Johannah has already written on strip piecing in Quick Quilting (1976). It makes quilts like [[rail-fence]] and [[quilt:trip-around-the-world]] weekend projects. See also [[quilting:curves]].",[215,216,217,218,219],"olfa-about","olfa-35-years","brackman-love-of-quilting-2020","qsos-johannah","accuquilt-cutting",{"id":221,"when":222,"title":224,"text":227,"sources":230},"documentation",{"da":223,"en":223},"1981–2003",{"da":225,"en":226},"Quilts bliver registreret","Quilts are recorded",{"da":228,"en":229},"Kentucky Quilt Project begynder i 1981 som den første optegnelse af en hel stats quilts, og bevægelsen vokser til 56 projekter med mere end 165.000 quilts. I 2003 går Quilt Index på nettet, så registreringerne kan ses af alle.","The Kentucky Quilt Project begins in 1981 as the first survey of a whole state's quilts, and the movement grows to 56 projects with more than 165,000 quilts. In 2003 the Quilt Index goes online, so the records can be seen by all.",[231,232,233],"iqm-kentucky-project","quilt-index-2003","msu-quilt-index",{"id":235,"when":236,"title":238,"text":241,"sources":244},"paducah",{"da":237,"en":237},"1989",{"da":239,"en":240},"Maskinen vinder","The machine wins",{"da":242,"en":243},"Caryl Bryer Fallerts maskinquiltede \"Corona II: Solar Eclipse\" vinder Best of Show i Paducah, første gang en maskinquiltet quilt er med i opløbet. Se [[quilting:machine]].","Caryl Bryer Fallert's machine-quilted \"Corona II: Solar Eclipse\" wins Best of Show in Paducah, the first time a machine-quilted quilt is in the running. See [[quilting:machine]].",[245,246],"nqm-threads-2025","bryerpatch-corona",{"id":248,"when":249,"title":251,"text":253,"sources":256},"gees-bend",{"da":250,"en":250},"2002",{"da":252,"en":252},"Gee's Bend",{"da":254,"en":255},"Udstillingen \"The Quilts of Gee's Bend\" med over 60 quilts fra 1930–2000 af 42 kvinder fra Gee's Bend i Alabama åbner i Houston og kommer til Whitney Museum i New York; New York Times kalder dem noget af det mest mirakuløse, Amerika har frembragt. Udstillingen rejser til 2008.","The exhibition \"The Quilts of Gee's Bend\", over 60 quilts from 1930–2000 by 42 women of Gee's Bend in Alabama, opens in Houston and comes to the Whitney Museum in New York; the New York Times calls them some of the most miraculous works of art America has produced. The exhibition travels until 2008.",[257,258],"souls-grown-deep-gees-bend","whitney-gees-bend",{"id":260,"when":261,"title":263,"text":266,"sources":269},"modern",{"da":262,"en":262},"2009",{"da":264,"en":265},"Den moderne quiltbevægelse","The modern quilt movement",{"da":267,"en":268},"Alissa Haight Carlton og Latifah Saafir starter Modern Quilt Guild i Los Angeles i oktober 2009. Den første QuiltCon i Austin i 2013 får over 6.000 besøgende, og i 2017 har guilden omkring 12.000 medlemmer. Enkle flader og lige linjer er dens kendetegn; se [[quilting:lines]] og [[quilt:color-by-number]].","Alissa Haight Carlton and Latifah Saafir start the Modern Quilt Guild in Los Angeles in October 2009. The first QuiltCon in Austin in 2013 has over 6,000 visitors, and by 2017 the guild has about 12,000 members. Simple shapes and straight lines are its mark; see [[quilting:lines]] and [[quilt:color-by-number]].",[270,271,272],"mqg-about","asae-modern-quilt-guild","modern-quilt-guild",1794245555462]